Anti de Rihanna

Morceau

Love On The Brain

Rihanna

Écouter sur Napster

Morceau

Love On The Brain

Rihanna

Écouter sur Napster
Nouveautés:
Label: Universal Music Division Def Jam Recordings France
Rihanna’s first album in over three years is a beguiling and enigmatic departure. Only the power ballad “Kiss It Better” sounds typical of her pop career up to now. The rest of Anti offers contrary moods and styles: The mellow soul of “James Joint,” a murky duet with SZA on “Consideration,” a ‘60s pop throwback in “Higher,” and a duet with Drake on “Work” that winds and swings with a Caribbean lilt. At its center is a cover of Tame Impala’s “New Person, Same Ol’ Mistakes” that Rihanna turns into a louche, frustratingly vague and yet absolutely magnetizing tour de force. Throughout, she performs with a confident looseness she’s never had before. It’s thrilling to hear her thinking her ideas out loud.

À propos de cet album

Rihanna’s first album in over three years is a beguiling and enigmatic departure. Only the power ballad “Kiss It Better” sounds typical of her pop career up to now. The rest of Anti offers contrary moods and styles: The mellow soul of “James Joint,” a murky duet with SZA on “Consideration,” a ‘60s pop throwback in “Higher,” and a duet with Drake on “Work” that winds and swings with a Caribbean lilt. At its center is a cover of Tame Impala’s “New Person, Same Ol’ Mistakes” that Rihanna turns into a louche, frustratingly vague and yet absolutely magnetizing tour de force. Throughout, she performs with a confident looseness she’s never had before. It’s thrilling to hear her thinking her ideas out loud.

Morceaux

À propos de cet album

Rihanna’s first album in over three years is a beguiling and enigmatic departure. Only the power ballad “Kiss It Better” sounds typical of her pop career up to now. The rest of Anti offers contrary moods and styles: The mellow soul of “James Joint,” a murky duet with SZA on “Consideration,” a ‘60s pop throwback in “Higher,” and a duet with Drake on “Work” that winds and swings with a Caribbean lilt. At its center is a cover of Tame Impala’s “New Person, Same Ol’ Mistakes” that Rihanna turns into a louche, frustratingly vague and yet absolutely magnetizing tour de force. Throughout, she performs with a confident looseness she’s never had before. It’s thrilling to hear her thinking her ideas out loud.
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