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Artistes

Francis Lai

À propos de Francis Lai

The Great Cocktail Resurgence of 1995 saw many an Esquivel-touting hipster who also extolled Francis Lai, the composer for such late ‘60s/early ‘70s "date" movies as "A Man and a Woman" and "Love Story." His Oscar-winning soundtrack for "A Man and a Woman" virtually defined Easy Listening. Its blissful, nonsensical lyrics that float over steady bossa nova beats wafted in and out of a myriad of films and commercials for years to come. Ditto for his oft-covered score to the Velveeta-schmaltz of "Love Story." To this day, Lai continues to score for movies and television in his homeland of France.

356x237

Francis Lai

The Great Cocktail Resurgence of 1995 saw many an Esquivel-touting hipster who also extolled Francis Lai, the composer for such late ‘60s/early ‘70s "date" movies as "A Man and a Woman" and "Love Story." His Oscar-winning soundtrack for "A Man and a Woman" virtually defined Easy Listening. Its blissful, nonsensical lyrics that float over steady bossa nova beats wafted in and out of a myriad of films and commercials for years to come. Ditto for his oft-covered score to the Velveeta-schmaltz of "Love Story." To this day, Lai continues to score for movies and television in his homeland of France.

À propos de Francis Lai

The Great Cocktail Resurgence of 1995 saw many an Esquivel-touting hipster who also extolled Francis Lai, the composer for such late ‘60s/early ‘70s "date" movies as "A Man and a Woman" and "Love Story." His Oscar-winning soundtrack for "A Man and a Woman" virtually defined Easy Listening. Its blissful, nonsensical lyrics that float over steady bossa nova beats wafted in and out of a myriad of films and commercials for years to come. Ditto for his oft-covered score to the Velveeta-schmaltz of "Love Story." To this day, Lai continues to score for movies and television in his homeland of France.

À propos de Francis Lai

The Great Cocktail Resurgence of 1995 saw many an Esquivel-touting hipster who also extolled Francis Lai, the composer for such late ‘60s/early ‘70s "date" movies as "A Man and a Woman" and "Love Story." His Oscar-winning soundtrack for "A Man and a Woman" virtually defined Easy Listening. Its blissful, nonsensical lyrics that float over steady bossa nova beats wafted in and out of a myriad of films and commercials for years to come. Ditto for his oft-covered score to the Velveeta-schmaltz of "Love Story." To this day, Lai continues to score for movies and television in his homeland of France.

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