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Artistes

Natalie Merchant

À propos de Natalie Merchant

Beginning her career in 1981 as cofounder and front woman of '80s/'90s Folk-Pop luminaries 10,000 Maniacs, Merchant's enchanting alto has found recent prosperity in the medium of solo performance. Usually supported by a sparse, tasteful smattering of guitars, strings, piano, and light rhythms, Merchant's voice and songs have always been employed as vehicles for her social commentary, rather than high school dramatics or slacker-inspired, neo-existential angst. Her first two solo albums, Tigerlily in 1995, and Ophelia in 1998, have been major commercial successes.

356x237

Natalie Merchant

Beginning her career in 1981 as cofounder and front woman of '80s/'90s Folk-Pop luminaries 10,000 Maniacs, Merchant's enchanting alto has found recent prosperity in the medium of solo performance. Usually supported by a sparse, tasteful smattering of guitars, strings, piano, and light rhythms, Merchant's voice and songs have always been employed as vehicles for her social commentary, rather than high school dramatics or slacker-inspired, neo-existential angst. Her first two solo albums, Tigerlily in 1995, and Ophelia in 1998, have been major commercial successes.

À propos de Natalie Merchant

Beginning her career in 1981 as cofounder and front woman of '80s/'90s Folk-Pop luminaries 10,000 Maniacs, Merchant's enchanting alto has found recent prosperity in the medium of solo performance. Usually supported by a sparse, tasteful smattering of guitars, strings, piano, and light rhythms, Merchant's voice and songs have always been employed as vehicles for her social commentary, rather than high school dramatics or slacker-inspired, neo-existential angst. Her first two solo albums, Tigerlily in 1995, and Ophelia in 1998, have been major commercial successes.

À propos de Natalie Merchant

Beginning her career in 1981 as cofounder and front woman of '80s/'90s Folk-Pop luminaries 10,000 Maniacs, Merchant's enchanting alto has found recent prosperity in the medium of solo performance. Usually supported by a sparse, tasteful smattering of guitars, strings, piano, and light rhythms, Merchant's voice and songs have always been employed as vehicles for her social commentary, rather than high school dramatics or slacker-inspired, neo-existential angst. Her first two solo albums, Tigerlily in 1995, and Ophelia in 1998, have been major commercial successes.

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